Trouble Books – Gathered Tones [MIE]

The lo-fi bedroom ambient pop maestros Trouble books are back to follow up last years ‘Endless Pool EP’ and their wonderful debut album ‘The United Colours Of Trouble Books’ with a full another full length on MIE. ‘Gathered Tones’ sees the group expand their sound a little and reach ever so slightly out of the house and into the unknown. The last two outings where so homely it was almost as if they recorded their lives while bumbling around the house and they just happened to sound like songs, found sounds and everyday lyrics brought beauty out of the mundane. This time they keep some of that edge but expand it and it’s as though they’re gazing into the stars via a telescope in the garden or attic, with melodic synths adding a cosmic edge.

If you’ve seen the homemade sci-fi epic by Christmas On Mars by The Flaming Lips you’ll know that everyday items can be transformed into other worldly spaceship fixtures or alien appendages, a child’s toy as a control panel, a vacuum cleaner as a futuristic gizmo. All they need is imagination and a little tinfoil. On ‘Gathered Tones’ Trouble Books do just that but for your ears, they build a homemade space station of sound! Then move in like it’s a second home.

The gentle warm tones of ‘Ascending Kidney’ usher in the album along with sweat vocals and spaced out sweeping synths that are balanced out with melodic strumming and field crackles. ‘Past The New Parking Deck’ bubbles like a lo-fi Postal Service with subtler drums and a cooler nonchalant air, its all space bleeps like the Jetson’s rocket car, sequenced bass tones and souring tremolo guitar tones before it transcends into a twinkling crescendo of arpeggiated synth lines. ‘From Colfax Place’ continues the theme of a second home in outer space. They combine the synths effortlessly with their found sound folk and guitars, some bands struggle and seem to strap them on clumsily bit Trouble Books ooze with restrained confidence when they unleash them.

‘Arms Full Of Lemons’ strips back the cosmic stylings with its gently plucked guitar outro that’s drenched in warm reverb with what sounds like a game of ping pong in the background. ‘Abandoned Monorail Station’ is on a similar tip too, putting orchestral swells deep in the background droning away under weary floating melodies.

Somehow ‘Tropical Islands, Germany’ almost sounds like it could be at home on Planet Mu, with its twisted synthesizer shimmers before it drops into baroque woodwind pop and a brooding breakdown that sounds like you’ve been jettisoned into space.

The wonderful ‘Sudden Loop’, takes a looping sample and floats it against acoustic guitars and melodica where it becomes a subtly psychedelic backdrop to Linda’s vocals. This looping sample technique is taken further with the ‘Dusk Accelerator’ into where woodwind gets twisted into twirling patterns before dropping into a slow atmospheric number that soon turns into introspective stargazing soundscapes. Things come to a close with ‘Houseplants’ where synths harmonise beautifully with the guitars again to create a lonely, laidback yet hopeful atmosphere.

‘Gathered Tones’ flows beautifully as a whole and adds another string to Trouble Books’ bow. The space age synths work beautifully with their ambient found sound pop songs. The album just keeps giving and opens up with each listen, the heartfelt melancholic stories get under your skin and the beautiful music subtly grows on you until you crave its shimmering homely sound and gentle homemade sonic space station melodies.

Order: http://miemusic.co.uk/GTLP.html

Download: Trouble Books - Past The New Parking Deck(Right Click Save As)

http://www.myspace.com/barkandhiss
http://www.barkandhiss.com/
http://miemusic.co.uk/

Talons’ – Songs For Babes [MIE]

Sea Gulls and piano usher in Songs For Babes the solo project of Mike Talon from the wonderful Trouble Books. This is a more straightforward song based project compared to the home made found sound lo-fi pop of Trouble Books, it also sounds a lot more personal in fact these tracks are all to do with specific moments in Talons’ life, it’s a musical looking glass into one mans life. Yet he manages to make these personal themes into stories the listener can relate to. He really has a skill for weaving stories his writing style has this wonderful low-key intimate literary feel to them where he brings the emotion and drama out of normal everyday situations. This is helped beautifully by the nature of his sound, which involves playing with found sounds and traditional instrumentation to create a mixture of ambient drones, twinkles of playful electronics and an almost traditional indie or almost folk like sound.

Every track on Songs For Babes is named after a girl but they rarely veer into the traps hip-hop does, in fact it doesn’t happen at all not one of these songs are about booty its just not that kind of album. ‘Natalie’ is short and sweet, I mean the song I don’t know the girl… just piano and the sea, before the melodic acoustic guitar of ‘Maddy’ with subtle accents of sound one of which being a siren, the vocals are so subtle and understated, which gives the words ‘I’ll wait for you’ a real melancholic feel. Tape hiss ushers in the next track, ‘Erin’ along with some kind of drum machine that shuffles along under building shimmering guitar, warm synth sounds and double tracked vocals to great effect.

The songs are so linear and story-like instead of the traditional verse/chorus structures it’s kind of refreshing, he writes what he needs to write then moves along and if that means some tracks only reach just over a minuet then so be it. The mellow ‘Angela’ sounds like an ode to a one night stand, like a lo-fi indie D’Angelo the words, ‘sleeping with my hand round your waste, and I don’t even no your last name, I bury my face in the back of your long hair…’ are sung with such beauty that it really echoes the moment that’s both so intimate and full of a nervous curiosity that you’ve ended up in bed with someone you don’t know the second name of.

Rain and footsteps pitter-patter behind gentle acoustic melodies on the instrumental, ‘Rachel’ with chimes and keys. The way he uses found sounds and field recordings is just brilliant it was always something I enjoyed with the Trouble Books stuff. ‘Mich’ is no exception as more rain and a motorbike open it up before subtle accordion, guitar and lyrics about really wanting to go and give someone special a lift because its raining, then the door slams and he’s gone… The epic centre piece ‘Juice’ clocking in at about five minuets about walking in the autumn with someone close, the lyrics ‘the birds are singing you said its natures ring tone’ standout while a beautiful looped and tweaked toy box twinkle accents the low-key guitar melodies that get stretched into wonderful tones that drone and shift into a gently moving bed of sound.

‘Sam’ is a mad track that starts with cymbals and small feedback loops while talking about watching castaway and not giving a shit, bored somewhere at work. Then going home and talking about paying bills before we get a smidgen of hope with the phrase ‘I hope she wins the lottery’ before all hell breaks loose in a toy box electro ride of wonder, like the gleeful end sequence to an old computer game. We are soon into a world of sadness again on ‘Taz’ about a girl brining up some children when they’ve been thrown out of their house, the finale of the track with subtle group vocals is kind of cool though despite the message. The folky plucks of ‘Cole’, which is a track about leaving a job but you’ve not told the people you work with yet and you’re at a party with them, is another subject you don’t hear much of but works surprisingly well. The subtle tones of ‘Lula’ with its busy crackle low in the mix and floaty free flowing melodies takes you into the final track, ‘Sommer’ with the playful opening of ‘maybe we could build a fort’ its probably the most jaunty of tracks and finishes things well.

The Bark and Hiss / MIE axis of sound has struck low-key gold again in this very personal album Songs For Babes, Talons’ has created a snapshot of his life full of mini stories and moments to share with us and it comes off really well without you ever feeling like your intruding. The lyrics are subtle and just try and find a bit of beauty and humour in everyday things instead of being over bearing, personal and emotional, which can be a worry when you get a solo very much acoustic indie record. Talons’ steers away from all that though and is all the better for it. This is an album you can really enjoy for its relaxing atmosphere and really open nature, you can relate to the small dramas that unfold with every listen or just sink into the mesmerising yet simple instrumentation, wonderful.

http://barkandhiss.com/talons/5.html

http://www.myspace.com/choderomeo

http://barkandhiss.com/

http://miemusic.co.uk/

Trouble Books – The Endless Pool EP (MIE)

Last year I stumbled upon the MIE head honcho raving about this band Trouble Books and the album The United Colours Of… and I just got drawn into the day dream inducing laid back beauty of it all, its a true gem (and it’s still available to buy from http://miemusic.co.uk/).

When I heard the new EP was on its way I had to see what was going on and I wasn’t disappointed. The Endless Pool EP is another little bundle of woozy vibes, like a hazy summer morning the sun breaking through as you open your eyes, stretch and get ready to start your day.

The homemade sound of Trouble Books sounds so simple yet so lush and it makes up a whole world of its own. Warm loops made up of found sounds and playful experimentation meet with subtle instrumentation and then out of the blue you get a story or hook sang from one or both of the duo, which really grounds the atmospheric and organic sounds.

Title track Endless Pool opens with a subtle bit of distortion and beautiful tremolo guitars before some sweet vocals and an armchair orchestra swells into drones, before it all breaks down into stripped back guitar that really makes you gasp after the subtle build of noise. The second track flows seamlessly out of that with tape loops building from that old machine I presume they still have from the last album. Hedgehog is a leafy stroll in the morning due as the sun just starts to rise and you take your first breath of fresh air. Tusk Love Revisited finishes off the EP in a dreamy fashion.

I would call this shoegaze if it weren’t so ambient and snugly it’s more like slippergaze (if that existed), it’s just so down to earth and homely. It’s a country cottage compared to My Bloody Valentine’s citywide soundscapes of fuzz. And that’s in no way a diss, Trouble Books make for a compelling listen. Lie back into The Endless Pool…

http://www.myspace.com/barkandhiss

http://miemusic.co.uk/

Trouble Books – United Colours of Trouble Books

Trouble Books have been self releasing albums, four of them in-fact, on their own label Bark and Hiss in their native Akron, Ohio but now the brand spanking new label My Inland Empire has come along to release this album in the UK and Europe.

You will have to get in quick for this one as there are only 100 records planned to be pressed, which will come with an accompanying CD-R and some drawings in a nice 8 page booklet.

Now on with the music Trouble Books have such a wonderful sound that reminds me of that fuzzy daydream feeling you get when you are just waking up. It’s like you are tired and still dreaming but the daylight is shining a bright and beautiful glow into your eyes.

They melt together fuzzy shoegaze pop sounds in a dreamy soundscape that echoes a lo-fi ambient found sounds project and an indie pop band. They are so DIY its adorable to quote their myspace, ’A band of happy accidents, inexperience, laziness, and a few pretty good ideas. We've made some recordings in our living room...’ and they did just that with United Colours Of… as it was all recorded on a half broken 8-track tape machine with overdubs made on a laptop. This home made sound comes across beautifully (I swear at one point I hear the pet cat have a little meow and a sleep, along with noises of pottering around the place) but this gives the album a really nice atmosphere of a natural, warm and organic place in which you want to live and love.

Keith and Linda sing together and intertwine beautifully over the hissing and fuzzed out found sound field recordings to make each song accessible and even poppy. They remind me of Bright Eyes at times like if he made Digital Ash in a Digital Urn a lot more laid back, organic and warm he may have touched on some of these ideas.

I say they are pop songs but they make short and fragmented pop songs like you have just dreamt the best part of a song you love and then it melts into the next through a passage of your mind into the next dream sequence.

I keep touching on how ambient this is; it reminds me of people like Gas and Jasper Leyland via the dreamy sections of bands like Grizzly Bear or some folksy people I can’t think of. The electronic squiggles and beds of sweet looped up drones back some delicate horn work and gently strum guitar sounds.

The furthest they get into a more abrasive sound is when they whip out some distortion and they come out sounding like a home made lost passage of My Bloody Valentine’s Loveless. The percussion is subtle and fleeting and used as more of an ambient flourish or as accenting rather than a steady pulse.

The only thing I can say is wrong with this album is that it’s short, coming in at about 30mins or so, this does however make me want to rewind it and start again. Trouble Books are addictive.

(Release 1st November)

http://www.myspace.com/barkandhiss

http://www.barkandhiss.com/

http://www.miemusic.co.uk/

NEW!

Pre-Order the album now: http://mie.bigcartel.com/

Get in quick there are only 100...